![]() ![]() Powered via four AA batteries or optional AC adaptor.Light, durable design and colorful status LEDs.Load up to three user speaker IRs with the ME-90 IR Loader software for Windows/macOS.Rear-panel switch to optimize the audio outputs for a guitar amp or full-range sound system.Manual mode for pedalboard-style operation and Memory mode for switching complete patch setups.36 ready-to-play preset patches and 36 user patches for storing custom setups.Eight multi-function footswitches and a newly redesigned expression pedal with toe switch.Edit parameters, swap out amp and effect types, and more with BOSS Tone Studio.Dedicated amp section plus seven simultaneous effect categories with multiple types to choose from.Eleven onboard AIRD amp models and 60 different effects derived from the flagship GT-1000.Superior sound quality with 24-bit AD/DA, 32-bit floating-point processing, and 48 kHz sampling rate.Easy stompbox-style sound creation with an intuitive knob-based interface.All-in-one guitar processor with premium BOSS amps and effects.That the wanted instrument signals are being sent to the effect unit (using auxiliaries) and that the effect unit is returning a signal to another, empty channel on the soundboard. Make sure when hooking up your effects that you check to see if the chain is complete. Setting up effect units for church sound, will not only improve the praise experience, but will also provide the sound engineers, a higher understanding of sound in general. If not you will be looping your effects creating a horrible sound that is no longer an effect. For example, if your are using your 4th auxiliary for a reverb unit, make sure that when you plug your auxiliary into your board as a mixer that you turn auxiliary 4 down all the way. ![]() Make sure that you don’t loop your auxiliary. As well, the freedom to equalize that effect is now available. Now that the return is being returned to a channel, you can bring up the channel gain and level to a desired spot. A common preference in returning signals to the soundboard is to put it on the far right hand side of the mixer. Now, by using the output on the effect unit, plug (using a quarter inch patch cord) the ‘return’ signal into a desired, unused channel. Sending returns back to the board is relatively easy. Now that you have your send worked out, you can now work on returning that effected signal back to the soundboard so it can be mixed. This is the ‘send’ portion of the process. Now by using the auxiliary’s master output, you can ‘send’ those channel signals through to the input of the effect unit, most likely by using a quarter inch cable ( patch cable). It is usually preferred to use the bottom, last auxiliaries and keep the top few aux’s open for monitor channels. However, most churches use auxiliaries to send the signal to the effect units. If this is the case, then set up is just a matter of plugging in the effect units in the plugs provided on the board. Some higher end soundboards have actual send and return knobs on each of the channels. In church worship, the most common effects used are typically reverb and delay units. Here you can decide how much of that single instrument or vocal will be sent to the effect unit. One of the easiest ways of hooking up channel effects is through the use of auxiliaries. ![]() There are various ways of connecting each send and return to your soundboard and knowing the right way to do so, on your mixer, is important to the quality of your church’s audio and the worship experience. Using audio sends and returns, on a soundboard, is very helpful in adding features such as compression, reverb, delay, gates and many other effects. However, after reviewing this article you to can master the advances of adding sweet effects to your entire church sound. Send and returns are additive functions of mixing sound and setting up effect units can be confusing. ![]()
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